

That’s what I feel when I listen to her songs – you don’t need her to explain anything to you, because it’s already there. Having seen her singing on stage, I was able to start an immediate creative relationship, because she expresses so much when she sings that she can make you feel something she’s feeling without even knowing her.

Can you tell us about the kind of creative relationship that you’ve cultivated with Rosalía as an artist? This is not the first music video that you and collaborator Mau Morgo have worked on with Rosalía (having previously directed the beautiful video for “Disputa: De Aquí no Sales”). We spoke with Diana about finding kindred creative spirits in Rosalía and Mau, taking inspiration from Wim Wenders, and her desire to be recognized for her talent, regardless of gender. “Barefoot In The Park,” is a gorgeous meditation on memory, mortality, past and future selves, and the space we occupy within the wider world. Later on, footage of the two singers zooms in and out of an abstract, swirling miasma, finding a vast, expansive universe within each individual. It’s a powerful juxtaposition, serving as a fitting introduction to the directorial duo’s sun-drenched masterpiece of a music video.ĭiana and Mau take viewers on a metaphysical journey across time and space: James and Rosalía gaze back at ephemeral versions of their child-selves, who evaporate away into thin air. The Spanish singer generally focuses on melody, though does at certain points divulge in more experimental sounds and it’s there that we see the more adventurous side of her phenomenal voice.Director Diana Kunst and her collaborator Mau Morgo open their video for James Blake and Rosalía‘s “Barefoot In The Park,” with a striking image: a butterfly floats down over the scene of a flaming car wreck, watched over by two motionless children. Bagdad is a combination of R&B and flamenco, while there’s more of a shift towards electro on Que No Salga La Luna. So here it is, the highly anticipated new album produced by El Guincho, a Spaniard signed by the English label Young Turks who has a passion for sampling tropical beats and enjoys cutting and pasting hand-claps, finger-clicks and sometimes Rosalía’s voice, as we hear on De Aqui No Sales, which is reminiscent of Björk’s work. See More Your browser does not support the audio element. The Spanish singer generally focuses on melody, though does at certain points divulge in more experimental sounds and it’s there that we see the more adventurous side of her phenomenal voice. And Rosalía is following up with yet more brilliance: featuring on J Balvin’s album Vibras, recording in the studio with Pharrell Williams and being called up for Pedro Almodovar’s next film… Since releasing Malamente, the contagious first track from El Mal Querer in May 2018, with a music video directed and produced by the Spanish group Canada, she has earned 5 nominations at the Latin Grammy Awards.

Critics have been praising the Catalan for the “new flamenco” she developed on her 2017 Los Angeles album, and this year she shows no sign of slowing down. And yet, Rosalía Vila Tobella has made it work. Not many people would put their money on a mix of flamenco, R&B and electro - at least, on paper it sounds a bit cheesy.
ROSALIA DE AQUI NO SALES DOWNLOAD
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